ÜBER LITERATUR
Das Lachen als Maske
Sie ist die meistgespielte Theaterautorin unserer Jahre, seit kurzem auch durch ihre Romane bekannt. Und sie gilt als medienscheu.
Hier aber erscheinen erstmals Interviews im Druck, die Yasmina Reza in Paris jüngst der Berliner Literaturwissenschaftlerin Ulrike Schrimpf gab. Unverkennbar klingt die Stimme von Yasmina Reza aus diesen Gesprächen hervor: impulsiv, temperamentvoll, zuweilen sprunghaft, immer lebendig.
Sie zeigen unmittelbar und unverstellt die nachdenkliche, intensiv fühlende und entschiedene Autorin. Erkennbar wird nicht nur eine produktive Frau, die verqueren öffentlichen Festlegungen entkommen will, sondern auch ein Mensch, der sich im Schreiben weiterentwickelt.
Hier aber erscheinen erstmals Interviews im Druck, die Yasmina Reza in Paris jüngst der Berliner Literaturwissenschaftlerin Ulrike Schrimpf gab. Unverkennbar klingt die Stimme von Yasmina Reza aus diesen Gesprächen hervor: impulsiv, temperamentvoll, zuweilen sprunghaft, immer lebendig.
Sie zeigen unmittelbar und unverstellt die nachdenkliche, intensiv fühlende und entschiedene Autorin. Erkennbar wird nicht nur eine produktive Frau, die verqueren öffentlichen Festlegungen entkommen will, sondern auch ein Mensch, der sich im Schreiben weiterentwickelt.
Ecrire hors saison
La gaité est un chant funèbre.
Perlman, in:
Yasmina Reza, „Une désolation“
Perlman, in:
Yasmina Reza, „Une désolation“
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„Was schmeckt wie Bitterschokolade und kratzt an deinem Herzen? So doll, dass du an nix anderes mehr denken kannst?“
Zara